The Crow Caws

So a recent hallucination of mine has been rather mild but annoying. It’s been a crow speaking to me, and shouting at me, particularly outside of my bedroom window. I also have a running theory that not only are ads following me on my phone and my computer, but they’re following me onto the televisions in the restaurants I’ve been visiting. But that’s a whole other conversation.

Anyway, this “hey” crow has the name “hey”, because that’s the way he gets my attention. Shouting “HEY. HEY. HEY. HEY. HEEEEEY. HEY.” until I acknowledge his presence. I haven’t seen him yet, but for some reason I know it’s a crow. It certainly isn’t a human. Maybe it’s a spirit calling from another realm, I haven’t given that much thought towards it because I knew for sure it was a crow: he always talks from outside up in a tree somewhere. It’s got to be a crow.

I do believe animals speak with us in their own language. I highly doubt they truly know English, but maybe this is a highly evolved crow who happens to have really gained a grasp on human form and language.

I wrote a quick poem about him. It goes something like this:

“Hey!” caws the crow, and I listen,

What wisdom

will he share today?

Will he show how a shadow dances with a mind of its own?

Or remind us how the sunrise ushers in a new spirit for the day?

 

“Hey!” caws the crow, and I listen

to whatever wisdom he shares with me today.

Will he warn me of the passerby–watch your back with that guy–or compliment

my outfit?

Will he watch the passing stars with me

and wonder about infinity?

There’s a lot this crow knows, you see.

 

And while I wonder what he’ll share

I have to remember

and be aware

that it may be fiction

what he wove into his diction

But “hey!” caws the crow,

and I still listen.

 

It’s impulsively penned, and certainly not great, but you get the jist of what I’m trying to say with it, I hope. Check out that poem and more writings on my Booksie account at this link here. 

 

Psychosis, the poem

Under the tree that whistles

lies a sharp and pointed thistle,

that pokes and prods

whenever I intend to leave this little spot under the whistling tree.

A bunny hops,

with four eyes and two legs,

and I poke it with a peg,

to shoo it away.

I hear you call my name

as a hundred others do,

and I hear curses whispered,

apparently from me to you.

They say I’ve infected you, injected you,

and I must run away;

there’s no time for play under this whistling tree today.

They get louder and louder and I don’t know what to do

so I get up and run, I run right past you.

I’m in danger, can’t you see?

My shadow senses it and bolts ahead of me,

leaving me unprotected.

I stop and shiver, cry and quiver,

as I lose myself within the night.

There’s no coming back and you’ve gone,

I’ve gone,

and the whistling tree seeks revenge.

I go roughly into that good night,

beaten and scarred,

feathered and tarred,

and you are there beneath the whistling tree with angel wings

out of my reach.

I lay on the ground beneath the spotlight

curled with my knees to my chest,

my best defense

against the dark arts.

You fly to heaven and I am alone, truly alone,

comforted by the whistling tree.

 

I think what’s ironic about this poem is that, to me, my experience with psychosis has been poetry. It’s been a beautiful, terrifying, cold dance with the devil who is, as he is in the Bible, an angel.